"utterly gripping in its mixture of eroticism and violence" - The Guardian
"the very embodiment of sprezzatura" - Early Music Today
"technically superb, but in a highly expressive way" - Robert Hugill
"the very embodiment of sprezzatura" - Early Music Today
"technically superb, but in a highly expressive way" - Robert Hugill
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Monteverdi String Band in focus - CON ARTE E MAESTRIA - We are delighted to see continued press interest in our early ornamentation disc for Resonus Classics. Early Music Review: "Webber and Devine apply their consummate technical skills and flawless musical instincts to bring this vital performance technique vividly back to life" Music Web International: "Not only studying the treatises and the diminutions included in them, but in particular a player's own creations in this field help to internalize the features of this practice. And that shows here, as in my ears these diminutions are completely natural and entirely in the style of the period. These pieces are the main asset of this recording, even though the compositions of the time are also played very well." Gramophone: "Webber’s sound is fascinating to ponder. He has luminosity in abundance, and takes off into tender, singing, soulful rhapsody as easily as a bird to flight" GScene Magazine: "This is a stunning, well-constructed programme that will reward repeated listening" Classical Explorer: "Hearing the contrastive sound of a plaintive solo violin for Gärtner's Toccata against Steven Devine's performance of Giovanni Gabrieli's Toccata del secondo tonum is simply beautiful" MSB in focus is a new venture which promotes smaller projects featuring individual members. We start with Con Arte e Maestria, a celebration of the art of virtuoso ornamentation from the time of Monteverdi. Musical director Oliver Webber is joined by renowned harpsichordist Steven Devine in a spectacular programme of brilliant ornamentation, including not only surviving examples from the decades around 1600, but also a selection of Oliver's own versions, inspired by the individual styles of Monteverdi's contemporaries. We are grateful to the Historical Performance department at the Guildhall School of Music and Drama for their financial support, which made this project possible, and we look forward to meeting GSMD students to work on this wonderful repertoire later this year! Con Arte e Maestria: Ciaccona, by Oliver Webber (excerpt), performed by Oliver Webber and Steven Devine, January 2021
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THE MADRIGAL REIMAGINED
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What we do
CD The Monteverdi String Band is dedicated to celebrating the sound and style of the early violin consort, in both well-established repertoire and innovative new programmes. Our instruments are carefully chosen: they are modelled on originals from the early decades of the 17th century, rather than the 18th century, when developments which led the violin away from its origins as a consort instrument transformed its sound into something perhaps more brilliant but less rich and grounded. We relish the sound of pure gut strings in equal tension; this and the use of matching instruments brings a unique sound to the ensemble: as a recent critic wrote, “The MSB’s sound is quite unlike any that of any other ensemble I know that plays this music”.
We enjoy working with other like-minded ensembles in repertoire ranging from Monteverdi to Lully and Biber, with the occasional foray into the 18th century.
The challenge of creating new programmes is one we find richly rewarding and for which we are delighted to have earned a reputation. This began with The Madrigal Transformed, in which we interleave “modern” (17th century!) and ancient (16th century) madrigals with contemporary readings; other productions include Monteverdi's Il combattimento di Tancredi e Clorinda, and Galileo, our first collaboration with playwright Clare Norburn, which premiered at BREMF in 2016.
Highlights of recent years have been our first performance of Bach's B minor mass and a new incarnation of The Madrigal Transformed at the Korkyra Baroque Festival in Croatia, as well as a Biber extravaganza and more Vespers performances in the autumn; in January 2020 we were thrilled to revisit Galileo for Baroque at the Edge.
The pandemic in 2020 has forced several postponements, but also allowed us to develop some new programmes for 2021, including The Madrigal Reimagined, which you can watch online (see right), as well as launch our Monteverdi String Band in focus series, which has borne fruit in our first CD recording (see below for details).
We enjoy working with other like-minded ensembles in repertoire ranging from Monteverdi to Lully and Biber, with the occasional foray into the 18th century.
The challenge of creating new programmes is one we find richly rewarding and for which we are delighted to have earned a reputation. This began with The Madrigal Transformed, in which we interleave “modern” (17th century!) and ancient (16th century) madrigals with contemporary readings; other productions include Monteverdi's Il combattimento di Tancredi e Clorinda, and Galileo, our first collaboration with playwright Clare Norburn, which premiered at BREMF in 2016.
Highlights of recent years have been our first performance of Bach's B minor mass and a new incarnation of The Madrigal Transformed at the Korkyra Baroque Festival in Croatia, as well as a Biber extravaganza and more Vespers performances in the autumn; in January 2020 we were thrilled to revisit Galileo for Baroque at the Edge.
The pandemic in 2020 has forced several postponements, but also allowed us to develop some new programmes for 2021, including The Madrigal Reimagined, which you can watch online (see right), as well as launch our Monteverdi String Band in focus series, which has borne fruit in our first CD recording (see below for details).